2/26/2023 0 Comments Softchord lyrics editor![]() ![]() Skatting started early, in her opening “I Believe in You” where she also encouraged applause for Kanan’s first piano solo of the night by simply pointing at him. Tackling timeless tunes that everybody else has done takes deep confidence in your instrument and Monheit has good reason to trust hers a lovely tone, range from whisper to brassy belt and both convincing investment in a lyric and fluent freedom when she skats. Like their outfits, real elegance never goes out of style, and elegance was the flavor they served up all night. But they swung with a practiced ease, only three shows into a short tour. None of the three even unbuttoned their dark suit jackets, over white shirts, skinny ties. Bassist Neal Miner stood behind her, playing deep in the pocket, with drummer Joe Strasser behind a red kit, stage left. In black dress and heels, she sometimes leaned on (masked) Michael Kanan’s piano but more often ruled the place from center stage, tossing her thick hair, gesturing, giving motion to the emotion. Emotionally she reached from playful delight in the bounce of uptempo tunes including her brisk opener “I Believe in You” to the drama of exposed feelings when she claimed the ballads “Lush Life,” “My Funny Valentine” and “Somewhere Over the Rainbow” as her own. ![]() However, she also acknowledged a yen to revisit songs from her prior 10 releases, and did.ĭisclaimers aside, the result was seamless. She offered this explanation between a fervent “When a Woman Loves a Man” and a playfully inviting “Let’s Take A Walk Around the Park.” She sang both on “Come What May,” which she said Thursday is her pandemic album, on which a yearning for travel shaped the song choices. Now 44, she said she had to wait until “I was finally mature enough to sing” some songs. ![]()
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